Messager: The Two Pigeons, Act 2, Scene 1: Gypsy Girl's Solo - André Messager, Bournemouth Symphony Orchestra, John Lanchbery Information

Acousticness: 93%
Danceability: 17%
Energy: 3%
Instrumentalness: 70%
Liveness: 8%
Loudness: 57%
Speechiness: 4%
Valence: 4%
Popularity: 0%
Loudness: -25.761 dB

Summary

"Messager: The Two Pigeons, Act 2, Scene 1: Gypsy Girl's Solo" by André Messager, Bournemouth Symphony Orchestra, John Lanchbery was released on January 1, 1984. With Messager: The Two Pigeons, Act 2, Scene 1: Gypsy Girl's Solo being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in André Messager, Bournemouth Symphony Orchestra, John Lanchbery's "Messager: Les deux pigeons" album is number 17 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Messager: The Two Pigeons, Act 2, Scene 1: Gypsy Girl's Solo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messager: The Two Pigeons, Act 2, Scene 1: Gypsy Girl's Solo BPM

We consider the tempo marking of Messager: The Two Pigeons, Act 2, Scene 1: Gypsy Girl's Solo by André Messager, Bournemouth Symphony Orchestra, John Lanchbery to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.

Messager: The Two Pigeons, Act 2, Scene 1: Gypsy Girl's Solo Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto for Horn and Orchestra, Op. 91: II. Andante	Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins	E♭ Major	0	5B	132 BPM
Divertimento No. 15 in B-Flat Major, K. 287: II. Theme and Variations: g) Variation VI	Wolfgang Amadeus Mozart, Arturo Toscanini	F Major	1	7B	108 BPM
Fauré: Requiem, Op. 48: II. Offertoire	Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris	E♭ Major	0	5B	70 BPM
Véronique - opéra comique: Duetto de l'ane	André Messager, Florence Raynal, Michel Trempont, Monte Carlo Light Symphony Orchestra, Paul Bonneau	E♭ Major	3	5B	91 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	G Major	1	9B	105 BPM
Suite pastorale: I. Idylle	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	F Major	0	7B	105 BPM
Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields)	Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus	C Minor	1	5A	62 BPM
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting)	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	D Major	0	10B	74 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	0	4B	94 BPM
Polovtsian Dances, from: Prince Igor: Moderato alla breve	Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan	B Minor	3	10A	184 BPM

ISRC: GBAYD8300368
Label: L-M Records/RCA Records

Section: 0.7854268550872803

End: 0.7890925407409668