Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth's 'Kapitel 8.5 & Kapitel 9 & Kapitel 10.1 - Wie Google tickt - How Google Works' came out on January 8, 2015. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #22 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 8.5 & Kapitel 9 & Kapitel 10.1 - Wie Google tickt - How Google Works is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Since Kapitel 8.5 & Kapitel 9 & Kapitel 10.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 8.5 & Kapitel 9 & Kapitel 10.1 - Wie Google tickt - How Google Works being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Misatango, Misa a Buenos Aires: I. Kyrie | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 90 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM | ||
Kapitel 84.3 & Kapitel 85.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | B Minor | 2 | 10A | 127 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | ||
Psalm 42, Op. 42, MWV A15: Aria "Meine Seele dürstet nach Gott" - Recitativo "Meine Tränen sind meine Speise" | Felix Mendelssohn, Eiddwen Harrhy, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Minor | 0 | 3A | 121 BPM | ||
Elijah, Op. 70: "O Thou, Who Makest" (Recitative & Chorus) | Felix Mendelssohn, Simon Keenlyside, William Whitehead, Paul McCreesh, Gabrieli | B♭ Major | 2 | 6B | 72 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Te Deum, Op. 103, B. 176: 1. Te Deum laudamus | Antonín Dvořák, Kateřina Kněžíková, Svatopluk Sem, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jakub Hrůša | G Major | 1 | 9B | 166 BPM |
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