Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 84.3 & Kapitel 85.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being about 5 minutes long, at 4:57, "Kapitel 84.3 & Kapitel 85.1 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #183 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Kapitel 84.3 & Kapitel 85.1 - Wie Google tickt - How Google Works's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 84.3 & Kapitel 85.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kapitel 84.3 & Kapitel 85.1 - Wie Google tickt - How Google Works being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Gloria in D Major, RV 589: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, Marietta Simpson | A Major | 1 | 11B | 123 BPM | ||
A Child of our Time, Part III: A Spiritual. Deep river (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Major | 1 | 12B | 59 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Truth | Karl Jenkins, Lucy Crowe, Krzysztof Wisniewski, Pablo de Leon, Shoshana Sievers, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | C Major | 2 | 8B | 79 BPM | ||
Fem Bellmansånger - Aldrig en Iris | Linköpings Studentsångarförening Lihkören | G Major | 1 | 9B | 171 BPM | ||
Die Zauberflöte, K. 620: Der Hölle Rache kocht | Linda Campanella | F Major | 2 | 7B | 126 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Heather Harper/London Symphony Orchestra/Michael Davis/Richard Hickox, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 95 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Sechs deutsche Lieder, Opus 41: Nr. 5 Der erste Kuss (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | E Major | 1 | 12B | 113 BPM |
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