Elgar / Arr. Milone for Cello and Orchestra: Salut d'amour, Op. 12
Edward Elgar, Natalie Clein, Royal Liverpool Philharmonic Orchestra, Vernon Handley
Elgar: Cello Concerto
3:01 September 24, 2007
BPM
86
Key
D Major
Camelot
10B

Embed

Share Link

Elgar / Arr. Milone for Cello and Orchestra: Salut d'amour, Op. 12 - Edward Elgar, Natalie Clein, Royal Liverpool Philharmonic Orchestra, Vernon Handley Information

Acousticness
86%
Danceability
14%
Energy
1%
Instrumentalness
28%
Liveness
11%
Loudness
47%
Speechiness
4%
Valence
5%
Popularity
Loudness
-31.584 dB

Summary

"Elgar / Arr. Milone for Cello and Orchestra: Salut d'amour, Op. 12" by Edward Elgar, Natalie Clein, Royal Liverpool Philharmonic Orchestra, Vernon Handley was released on September 24, 2007. The duration of Elgar / Arr. Milone for Cello and Orchestra: Salut d'amour, Op. 12 is about 3 minutes long, at 3:01. Based on our data, "Elgar / Arr. Milone for Cello and Orchestra: Salut d'amour, Op. 12" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 10 in Elgar: Cello Concerto by Edward Elgar, Natalie Clein, Vernon Handley, Liverpool Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Elgar / Arr. Milone for Cello and Orchestra: Salut d'amour, Op. 12 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elgar / Arr. Milone for Cello and Orchestra: Salut d'amour, Op. 12 BPM

The tempo marking of Elgar / Arr. Milone for Cello and Orchestra: Salut d'amour, Op. 12 by Edward Elgar, Natalie Clein, Royal Liverpool Philharmonic Orchestra, Vernon Handley is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Elgar / Arr. Milone for Cello and Orchestra: Salut d'amour, Op. 12 Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Legends, Op. 59, B. 122: VI. Allegro con moto by Antonín Dvořák, Cristian Măcelaru, WDR SinfonieorchesterLegends, Op. 59, B. 122: VI. Allegro con motoAntonín Dvořák, Cristian Măcelaru, WDR SinfonieorchesterC Minor15A72 BPM
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 by Felix Mendelssohn, Jacqueline du Pré, Gerald MooreMendelssohn: Song Without Words in D Major, Op. 109, MWV Q34Felix Mendelssohn, Jacqueline du Pré, Gerald MooreD Major010B93 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847Daniel BarenboimC Minor15A68 BPM
Elgar: Variations on an Original Theme, Op. 36 Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. NimrodEdward Elgar, London Symphony Orchestra, Sir Adrian BoultE♭ Major15B70 BPM
Scheherazade: The Young Prince by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: The Young PrinceNikolai Rimsky-Korsakov, Joakim SvenhedenG Major19B91 BPM
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship"Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence RockE Major112B79 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] by Franz Liszt, Joseph Banowetz6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]Franz Liszt, Joseph BanowetzG Minor06A96 BPM
Symphonie fantastique, Op. 14: II. Un bal by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: II. Un balHector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingA Major111B107 BPM
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) by Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra)Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred HoneckG Major09B103 BPM
ISRC
GBAYD0700305
Label
L-M Records/RCA Records

Section: 0.8081433773040771

End: 0.8123729228973389