Xavier Monsalvatge, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle's '5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito' came out on September 22, 2023. The duration of 5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. 5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito's duration is considered a little bit shorter than the average duration of a typical track. Since Xavier Monsalvatge: 5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito only contains only one song in the album, we like to consider this song as a single. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, 5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito by Xavier Monsalvatge, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle has a tempo of 119 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With 5 Canciones negras: No. 4, Canción de cuna para dormir a un negrito being at 119 BPM, the half-time would be 60 BPM with a double-time of 238 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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L'assedio di Corinto / Giusto ciel: Giusto ciel, in tal periglio | Gioachino Rossini, Hera Hyesang Park, Emily D'Angelo, Coro del Teatro Carlo Felice, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Les 7 paroles du Christ: 6e Parole - "Pater, in manus tuas" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
Donde hay violencia no hay culpa, Act I: A la gran deidad de Marte | Jose Nebra, Los Elementos, Alberto Miguélez Rouco | D♭ Major | 1 | 3B | 75 BPM | ||
Te Deum, Op. 103, B. 176: 1. Te Deum laudamus | Antonín Dvořák, Kateřina Kněžíková, Svatopluk Sem, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jakub Hrůša | G Major | 1 | 9B | 166 BPM | ||
La courte paille, FP 178: No. 7, Lune d’Avril | Francis Poulenc, Hanna-Elisabeth Müller, Juliane Ruf | C Minor | 0 | 5A | 68 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino) - Live | Edward Elgar, Czech Philharmonic, Leopold Stokowski | G Major | 4 | 9B | 93 BPM | ||
Ich ruf zu dir, Herr Jesu Christ, BWV 177: Chorale: Ich lieg im Streit und widerstreb (Chorus) | Johann Sebastian Bach, Magdalena Kozená, Nathalie Stutzmann, Paul Agnew, Nicolas Teste, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 2 | 11A | 76 BPM | ||
Joshua, HWV 64, Pt. 3: No. 65, Oh, had I Jubal's lyre | George Frideric Handel, Pretty Yende, Coronation Orchestra, Antonio Pappano | A Major | 1 | 11B | 118 BPM | ||
Fauré: Mirages, Op. 113: I. Cygne sur l'eau | Gabriel Fauré, Marianne Crebassa | F Major | 0 | 7B | 90 BPM | ||
Armida, Op. 115, B. 206, Act II: Act II: Vorspiel | Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht | E♭ Major | 0 | 5B | 83 BPM |
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