"Fauré: Mirages, Op. 113: I. Cygne sur l'eau" by Gabriel Fauré, Marianne Crebassa was released on October 20, 2017. The duration of Fauré: Mirages, Op. 113: I. Cygne sur l'eau is about 3 minutes long, at 3:23. Based on our data, "Fauré: Mirages, Op. 113: I. Cygne sur l'eau" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Secrets". In this album, this song's track order is #11. In terms of popularity, Fauré: Mirages, Op. 113: I. Cygne sur l'eau is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fauré: Mirages, Op. 113: I. Cygne sur l'eau by Gabriel Fauré, Marianne Crebassa having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): I. Frühling | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "D'amour l'ardente flamme" (Marguerite) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | F Major | 0 | 7B | 73 BPM | ||
Fünf Lieder: Ich Wandle Unter Blumen | Alma Mahler, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Paulus: I. Teil: Nr. 11 Rezitativ & Aria TB "Saulus aber zerstörte die Gemeinde" - "Vertilge sie, Herr Zebaoth" | Felix Mendelssohn, James Taylor, Matthias Goerne, Philippe Herreweghe | C Major | 1 | 8B | 104 BPM | ||
4 Melodies, Op. 39: No. 4, Les roses d'Ispahan | Gabriel Fauré, Kathleen Battle, James Levine | D Major | 0 | 10B | 80 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
組曲「ドリー」 Op.56: III. ドリーの庭 | Gabriel Fauré, 原博巳, 大石将紀, 貝沼拓実, 伊藤富美恵 | E♭ Major | 0 | 5B | 68 BPM | ||
Quand je fus pris au pavillon | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | F♯ Major | 1 | 2B | 124 BPM |
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