"Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino) - Live" by Edward Elgar, Czech Philharmonic, Leopold Stokowski was released on July 1, 1975. With Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino) - Live being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 7 out of 15 in Elgar: Enigma Variations (Live in Prague / 1972) by Edward Elgar, Leopold Stokowski, Czech Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino) - Live is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino) - Live by Edward Elgar, Czech Philharmonic, Leopold Stokowski is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Variations on an Original Theme, Op.36 'Enigma': I. C.A.E. (the composer's wife) | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | G Minor | 0 | 6A | 117 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
The Wand of Youth, Suite No.1 Op.1a: 3. Minuet (Old Style) | Edward Elgar, Orchestra of the Welsh National Opera, Sir Charles Mackerras | E Minor | 0 | 9A | 130 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Ave Maria, S. 558 (after Schubert, D. 839) | Franz Liszt, Benjamin Grosvenor | B♭ Major | 0 | 6B | 69 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM |
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