Pavel Josef Vejvanovsky, Chamber Harmonia Orchestra, Libor Pešek, Jiří Horák, Jaroslav Mičaník, Prague Symphony Orchestra, Milan Šlechta's 'Serenada in C Major: V. Gigue' came out on 1965. The duration of Serenada in C Major: V. Gigue is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Serenada in C Major: V. Gigue's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vejvanovský: Orchestral Works by Pavel Josef Vejvanovsky, Various Artists. The song's track number on the album is #9 out of 11 tracks. Based on our data, Czechia was the country where this track was produced or recorded. In terms of popularity, Serenada in C Major: V. Gigue is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Serenada in C Major: V. Gigue by Pavel Josef Vejvanovsky, Chamber Harmonia Orchestra, Libor Pešek, Jiří Horák, Jaroslav Mičaník, Prague Symphony Orchestra, Milan Šlechta has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Serenada in C Major: V. Gigue being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerts royaux, Concerto No. 2 in D Major: IV. Air contrefugué | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Ouverture in C Minor, GWV 413: VII. Sarabande | Christoph Graupner, Main-Barockorchester Frankfurt | F♯ Major | 1 | 2B | 101 BPM | ||
Consort Music: Fantasy Suite à 4 (Fantasy - Alman - Corant) | John Jenkins, Consort Of Musicke, Trevor Jones | F Minor | 1 | 4A | 117 BPM | ||
Henry V, A Shakespeare Scenario: Appendix II. Obal, diniou Limouzi | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Christopher Plummer, Celia Nicklin, Ian Watson, Choristers of Westminster Cathedral, Academy of St. Martin in the Fields Chorus | B Major | 0 | 1B | 175 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: IV. Saraband | Matthew Locke, Phantasm, Elizabeth Kenny | A♭ Major | 1 | 4B | 180 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Serenada, XIV/98: II. Gavotte | Pavel Josef Vejvanovsky, Ars Antiqua Austria, Gunar Letzbor | B♭ Major | 3 | 6B | 84 BPM | ||
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM |
Section: 0.5202600955963135
End: 0.5255262851715088