"Parsifal, Act II: Grausamer! Fuhlst du im Herzen" by Richard Wagner, Maria Callas, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Vittorio Gui was released on June 29, 2010. Parsifal, Act II: Grausamer! Fuhlst du im Herzen appears to be safe for all ages as it is not explicit. The song is number 10 out of 11 in Callas, Maria: Liebeslieder by Maria Callas, Tullio Serafin, Herbert von Karajan, Antonino Votto, Oliviero de Fabritiis, Vittorio Gui, Arturo Basile. In terms of popularity, Parsifal, Act II: Grausamer! Fuhlst du im Herzen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Parsifal, Act II: Grausamer! Fuhlst du im Herzen by Richard Wagner, Maria Callas, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Vittorio Gui is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act I: "Quanto è bella" | Gaetano Donizetti, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 80 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Tosca / Act III: "O dolci mani" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 70 BPM | ||
Gianni Schicchi: "Prima un avvertimento!" | Giacomo Puccini, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | G Major | 1 | 9B | 151 BPM | ||
La Cenerentola (Cinderella): Act II: The Storm | Gioachino Rossini, Marina De Gabarain, Juan Oncina, Ian Wallace, Bryan Havell Balkwill, Glyndebourne Festival Orchestra, Vittorio Gui | F Major | 1 | 7B | 91 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): [ACT III] Recit: Che imbarazzo è mai questo! (Count) Recit: Via! fatti core (Countess/Count/Susanna) | Wolfgang Amadeus Mozart, Graziella Sciutti/Franco Calabrese/Sena Jurinac/Glyndebourne Festival Orchestra/Vittorio Gui, Vittorio Gui, Glyndebourne Festival Orchestra | F Major | 1 | 7B | 176 BPM | ||
Leoncavallo: Pagliacci, Act 1 Scene 2: "Qual fiamma aveva nel guardo! … Hui! Stridono lassu" (Nedda) | Ruggero Leoncavallo, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A Major | 1 | 11B | 80 BPM | ||
Rossini: Il barbiere di Siviglia: Cavatina. "Una voce poco fa" (Rosina) [Live at Palais Garnier, 1958] | Gioacchino Rossini, Maria Callas, Georges Sebastian, Orchestre du Théâtre National de l'Opéra de Paris | D Major | 2 | 10B | 86 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM |
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