Wolfgang Amadeus Mozart, Graziella Sciutti/Franco Calabrese/Sena Jurinac/Glyndebourne Festival Orchestra/Vittorio Gui, Vittorio Gui, Glyndebourne Festival Orchestra's 'Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): [ACT III] Recit: Che imbarazzo è mai questo! (Count) Recit: Via! fatti core (Countess/Count/Susanna)' came out on 2000. The duration of Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): [ACT III] Recit: Che imbarazzo è mai questo! (Count) Recit: Via! fatti core (Countess/Count/Susanna) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): [ACT III] Recit: Che imbarazzo è mai questo! (Count) Recit: Via! fatti core (Countess/Count/Susanna)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Vittorio Gui/Glyndebourne Festival Chorus/Glyndebourne Festival Orchestra, Vittorio Gui, Glyndebourne Festival Orchestra's "Mozart: Le Nozze di Figaro" album is number 3 out of 59. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): [ACT III] Recit: Che imbarazzo è mai questo! (Count) Recit: Via! fatti core (Countess/Count/Susanna) is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro - Comic opera in four acts K492 (2000 Digital Remaster): [ACT III] Recit: Che imbarazzo è mai questo! (Count) Recit: Via! fatti core (Countess/Count/Susanna) by Wolfgang Amadeus Mozart, Graziella Sciutti/Franco Calabrese/Sena Jurinac/Glyndebourne Festival Orchestra/Vittorio Gui, Vittorio Gui, Glyndebourne Festival Orchestra to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Renaud Capuçon, Antoine Tamestit, Louis Langrée, Scottish Chamber Orchestra | C Minor | 1 | 5A | 91 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Violin Concerto in B Minor, Op. 3 No. 10, RV. 580: I. Allegro | Yehudi Menuhin | C Major | 2 | 8B | 74 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM |
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