"Ikon of Saint Cuthbert of Lindisfarne (excerpt)" by John Tavener, Ian Shaw, Durham Cathedral Choir, James Lancelot was released on February 1, 2004. The duration of Ikon of Saint Cuthbert of Lindisfarne (excerpt) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Ikon of Saint Cuthbert of Lindisfarne (excerpt)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Tavener: John Tavener - A Portrait (Mccleery)". In this album, this song's track order is #9. Ikon of Saint Cuthbert of Lindisfarne (excerpt) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ikon of Saint Cuthbert of Lindisfarne (excerpt) by John Tavener, Ian Shaw, Durham Cathedral Choir, James Lancelot having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford, Bill Ives | F Major | 1 | 7B | 119 BPM | ||
3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 0 | 12B | 66 BPM | ||
Ave Maria, Virgo Serena | Josquin des Prez, Stile Antico | C Major | 1 | 8B | 71 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping | E Major | 0 | 12B | 81 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Teil II | Kjartan Sveinsson | G Minor | 1 | 6A | 129 BPM | ||
Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM | ||
Messe solennelle de Sainte Cecile: Benedictus | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | B♭ Major | 0 | 6B | 90 BPM |
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