Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's 'Don Quixote: Act III: Coda' came out on January 1, 1995. The duration of Don Quixote: Act III: Coda is about 3 minutes long, at 3:19. Based on our data, "Don Quixote: Act III: Coda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 11 out of 56. Don Quixote: Act III: Coda is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Quixote: Act III: Coda by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charles Gounod: Faust-Walzer aus der Oper " Margarethe " | Ein grosses Orchester, Michael Scholowsky | D Major | 2 | 10B | 197 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation VI. La Fée des Lilas (Lilac Fairy) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | C Major | 3 | 8B | 75 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Giselle: Act II: Apparition de Giselle (Apparition of Giselle) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 116 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Grand Caprice on Schubert's Der Erlkönig, Op. 26 | Heinrich Wilhelm Ernst, Jiří Vodička | G Minor | 2 | 6A | 88 BPM | ||
Raymonda, Act III: Pas Classique Hongrois | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Minor | 0 | 4A | 139 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM |
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