"Pagliacci / Act 2: "Coraggio"" by Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Juan Pons, Philadelphia Orchestra, Riccardo Muti was released on January 1, 1993. With Pagliacci / Act 2: "Coraggio" being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Juan Pons, Paolo Coni, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti's "Leoncavallo: I Pagliacci" album is number 23 out of 25. Pagliacci / Act 2: "Coraggio" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 2: "Coraggio" by Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Juan Pons, Philadelphia Orchestra, Riccardo Muti to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Ah, disgraziati noi! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 1 | 7B | 166 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos | Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra | F♯ Major | 1 | 2B | 129 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
Madama Butterfly / Act I: Amore O Grillo | Giacomo Puccini, José Carreras, Juan Pons, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 1 | 9B | 97 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
L'elisir d'amore / Act 1: "Una parola..chiedi all'aura" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, English Chamber Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 79 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): The Wolf Stalks the Bird and the Cat | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | C Minor | 1 | 5A | 79 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
La traviata, Act II, Scene 1, Scene & Aria, De' miei.....: De' miei bollenti spiriti | Giuseppe Verdi, Alfredo Kraus, Riccardo Muti, Philharmonia Orchestra | E♭ Major | 1 | 5B | 135 BPM |
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