"The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos" by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra was released on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Based on our statistics, The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VII: Cellos by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Morceaux en forme de poire, IES 38: IV. Morceau II | Erik Satie, Robert Casadesus, Gaby Casadesus | A♭ Major | 1 | 4B | 136 BPM | ||
War Requiem, Op. 66: xxii. Libera Me - Libera me | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | C Minor | 2 | 5A | 86 BPM | ||
The Foggy Foggy Dew | Traditional, Sir Peter Pears, Benjamin Britten | A♭ Major | 0 | 4B | 98 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Sheep May Safely Graze | Johann Sebastian Bach, Philadelphia Orchestra, Eugene Ormandy | B♭ Major | 1 | 6B | 86 BPM | ||
Giselle: Act I: Entree de Loys | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 117 BPM | ||
Don Quixote, Op. 35: The Ride Through the Air - Variation VII | Richard Strauss, Fritz Reiner | G Major | 2 | 9B | 88 BPM | ||
Symphony No. 8, Zweiter Teil: V. Poco adagio | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | E♭ Minor | 0 | 2A | 61 BPM | ||
Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Peter Donohoe | A Minor | 3 | 8A | 121 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM |
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