Claude Debussy, Gordon Fergus-Thompson's '12 Etudes, L.136: 5. Pour les octaves' came out on June 7, 2022. The duration of 12 Etudes, L.136: 5. Pour les octaves is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. 12 Etudes, L.136: 5. Pour les octaves's duration is considered a little bit shorter than the average duration of a typical track. The song is number 138 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, 12 Etudes, L.136: 5. Pour les octaves is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 12 Etudes, L.136: 5. Pour les octaves by Claude Debussy, Gordon Fergus-Thompson is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Etude No. 2 | Philip Glass | F Major | 2 | 7B | 101 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | E Major | 1 | 12B | 141 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM | ||
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | ||
Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM |
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