"Symphony No. 3 "Kaddish": IIId. Fugue" by Leonard Bernstein, Kelley Nassief, The Maryland State Boychoir, The Washington Chorus, Baltimore Symphony Orchestra, Marin Alsop was released on November 6, 2015. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 15 in Bernstein: Symphony No. 3 "Kaddish" by Leonard Bernstein, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Symphony No. 3 "Kaddish": IIId. Fugue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 "Kaddish": IIId. Fugue by Leonard Bernstein, Kelley Nassief, The Maryland State Boychoir, The Washington Chorus, Baltimore Symphony Orchestra, Marin Alsop is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Major: Ib. Etwas Frischer | Gustav Mahler, Leonard Bernstein, New York Philharmonic | F Minor | 0 | 4A | 86 BPM | ||
Dona Nobis Pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 85 BPM | ||
Sea Pictures, Op. 37: I. Sea Slumber-Song | Edward Elgar, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright | F♯ Minor | 0 | 11A | 73 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia | William Walton, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 153 BPM | ||
El Niño: Hail Mary, Gracious! | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 0 | 3A | 99 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
Elektra, Op. 58: "Wo bleibt Elektra?" | Richard Strauss, Valery Gergiev, Ekaterina Popova, Olga Legkova, Ekaterina Sergeeva, Tatiana Kravtsova, London Symphony Orchestra, Lia Shevtsova | G Major | 2 | 9B | 78 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 3 | 4B | 113 BPM | ||
Magyar kepek (Hungarian Sketches), BB 103: Swineherd's Dance | Béla Bartók, Bournemouth Symphony Orchestra, Marin Alsop | E♭ Major | 0 | 5B | 162 BPM |
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