"Pelléas et Mélisande: II. Des pas dans le château" by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov had its release date on February 11, 2022. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Pelléas et Mélisande: II. Des pas dans le château's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Pelléas et Mélisande (Suite for String Orchestra)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Italy. Pelléas et Mélisande: II. Des pas dans le château is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pelléas et Mélisande: II. Des pas dans le château by Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fiddle Faddle | Leroy Anderson, Metamorphose String Orchestra, Pavel Lyubomudrov | D Major | 2 | 10B | 138 BPM | ||
String Quartet No. 2 in D Major: IV. Finale: Andante - vivace | Alexander Borodin, Streichquartett Luzern, Gunars Larsen, Roger Pyne, Howard Griffiths, Curdin Coray | D Major | 2 | 10B | 114 BPM | ||
Cello Concerto in A Major, Wq 172: II. Largo con sordini | Carl Philipp Emanuel Bach, Roel Dieltiens, Orchestra Of The 18th Century | A Minor | 0 | 8A | 84 BPM | ||
Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai | Felix Mendelssohn, Quatuor Ébène | F Minor | 3 | 4A | 139 BPM | ||
Ancient Airs And Dances, Suite No.3, [P. 172]: 1. Italiana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 1 | 6B | 96 BPM | ||
Symphony No. 1 in C minor, Op. 68: 3. Un poco allegretto e grazioso | Johannes Brahms, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Minor | 4 | 12A | 153 BPM | ||
Sarakiz: II. Romanza | Karl Jenkins, Marat Bisengaliev, London Symphony Orchestra | D Minor | 2 | 7A | 97 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 6 in G Minor, Lento "The Trill" | Niccolò Paganini, Michaela Paetsch | G Minor | 1 | 6A | 87 BPM | ||
Beethoven: Piano Sonata No. 25 in G Major, Op. 79: II. Andante | Ludwig van Beethoven, Stephen Kovacevich | D Major | 2 | 10B | 77 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák) | James Ehnes | D Minor | 1 | 7A | 101 BPM |