Felix Mendelssohn, Quatuor Ébène's 'Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai' came out on January 4, 2013. With this song being about 5 minutes long, at 4:33, "Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai" by Felix Mendelssohn, Quatuor Ébène is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Quatuor Ébène's "Mendelssohn Felix and Fanny" album is number 10 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: II. Allegro assai by Felix Mendelssohn, Quatuor Ébène to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Caprice in A minor, Op. 1, No. 5 | Mayuko Kamio | A Minor | 3 | 8A | 176 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 3 | 6A | 112 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Der Doppelgänger, S.560/12 | Franz Schubert, Franz Liszt, John Bingham | E Minor | 0 | 9A | 78 BPM | ||
18 Études de genre, Op. 109: No. 13 in D Minor, L'orage | Franz Burgmüller, William Westney | D Major | 2 | 10B | 128 BPM | ||
Violin Concerto in G Major, Hob.VIIa:4: III. Finale: Presto | Joseph Haydn, Michail Gantvarg, The St. Petersburg Soloists | G Major | 3 | 9B | 127 BPM |
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