"Cello Concerto in A Major, Wq 172: II. Largo con sordini" by Carl Philipp Emanuel Bach, Roel Dieltiens, Orchestra Of The 18th Century was released on October 18, 2019. Since Cello Concerto in A Major, Wq 172: II. Largo con sordini is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 9 in C.P.E. Bach: Cello Concertos by Carl Philipp Emanuel Bach, Roel Dieltiens, Orchestra Of The 18th Century. Cello Concerto in A Major, Wq 172: II. Largo con sordini is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto in A Major, Wq 172: II. Largo con sordini by Carl Philipp Emanuel Bach, Roel Dieltiens, Orchestra Of The 18th Century is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Sonata in F Minor, K. 462 | Domenico Scarlatti, Lucas Debargue | F Minor | 0 | 4A | 102 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | F Major | 2 | 7B | 122 BPM | ||
Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Suite No. V, BWV 1011: VI. Gigue | Roel Dieltiens | D Major | 1 | 10B | 127 BPM | ||
Concerto in G Minor, RV 417 (F.III No. 15): III. Allegro | Antonio Vivaldi, Roel Dieltiens, Ensemble Explorations | G Minor | 2 | 6A | 148 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Nocturne No. 5 in F-Sharp Major, Op. 15, No. 2 | Frédéric Chopin, Idil Biret | F♯ Major | 0 | 2B | 73 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM |
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