"Albéniz: Suite Española No. 1, Op. 47: V. Asturias "Leyenda"" by Isaac Albéniz, Fazıl Say was released on March 3, 2023. With this song being about 5 minutes long, at 5:08, "Albéniz: Suite Española No. 1, Op. 47: V. Asturias "Leyenda"" by Isaac Albéniz, Fazıl Say is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Morning Piano - Albéniz: Asturias and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Albéniz: Suite Española No. 1, Op. 47: V. Asturias "Leyenda"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Albéniz: Suite Española No. 1, Op. 47: V. Asturias "Leyenda" by Isaac Albéniz, Fazıl Say to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux: Aquarium | Camille Saint-Saëns, Irena Grafenauer, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Edith Salmen-Weber | A Minor | 0 | 8A | 134 BPM | ||
Malagueña | Fritz Kreisler, Isaac Albéniz, Laurent Korcia, Haruko Ueda | E Major | 2 | 12B | 120 BPM | ||
Petit Trianon | Brice Davoli | G Minor | 5 | 6A | 124 BPM | ||
Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) [Arranged by John Williams for Guitar] | Isaac Albéniz, John Williams | E Minor | 1 | 9A | 110 BPM | ||
The Road to Casterbridge | Luke Faulkner, Özgür Kaya | A Minor | 0 | 8A | 115 BPM | ||
Say: Cello Sonata, Op. 41 "Four Cities": I. Sivas | Fazıl Say, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Iberia, T. 105, Book 2: III. Triana | Isaac Albéniz, Peter Donohoe | F♯ Major | 0 | 2B | 66 BPM |
Section: 0.650230884552002
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