Isaac Albéniz, John Williams's 'Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) [Arranged by John Williams for Guitar]' came out on 1981. Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) [Arranged by John Williams for Guitar] is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 2 out of 9 in Echoes of Spain by Isaac Albéniz, John Williams. In terms of popularity, Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) [Arranged by John Williams for Guitar] is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite Española No. 1, Op. 47: No. 5, Asturias (Leyenda) [Arranged by John Williams for Guitar] by Isaac Albéniz, John Williams is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
El Cant del Ocells | Pablo Casals | A Minor | 1 | 8A | 177 BPM | ||
Klezmer Dance No. 2 | Göran Fröst, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 2 | 7A | 87 BPM | ||
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non moto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 1 | 4A | 82 BPM | ||
Keyboard Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia for guitar): Suite No. 4 in D Minor, HWV 437: III. Saraband (arr. A. Segovia) | Andrés Segovia, George Frideric Handel | D Minor | 1 | 7A | 87 BPM | ||
Schubert: Schwanengesang, D. 957: No. 4 Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
Adagio for String, Op. 11: Adagio for String op. 11 | Samuel Barber, Thomas Bowes, Malmö Opera Orchestra, Joseph Swensen | B♭ Minor | 0 | 3A | 85 BPM | ||
Estudio | Andrés Segovia, John Williams | E Major | 0 | 12B | 111 BPM | ||
The Rach. 3 (Part One) | David Helfgott, Orchestra, Ricky Edwards | C Minor | 3 | 5A | 124 BPM | ||
Cancion de cuna | Leo Brouwer, Ricardo Cobo | G Major | 0 | 9B | 94 BPM |
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