"Vergiß mein nicht, Hob. XXVIa:46 (Antwort auf die Frage eines Mädchens)" by Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout was released on March 4, 2022. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Trennung: Songs of Separation". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Vergiß mein nicht, Hob. XXVIa:46 (Antwort auf die Frage eines Mädchens) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vergiß mein nicht, Hob. XXVIa:46 (Antwort auf die Frage eines Mädchens) by Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: III. Finale - Allegro giocoso, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | A Major | 3 | 11B | 138 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 3. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester Leipzig, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" | Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 0 | 4B | 80 BPM | ||
Symphony in D Major: III. Allegro | Giovanni Paisiello, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 131 BPM | ||
Mass No. 13 in B-Flat Major, Hob. X XII:13 "Schöpfungsmesse": Agnus Dei: Agnus Dei | Joseph Haydn, Nacole Palmer, Nina Faia, Kirsten Sollek, Daniel Mutlu, Matthew Hensrud, Andrew Nolen, Trinity Church Choir, New York, Rebel Baroque Orchestra, Jane Glover | B♭ Major | 3 | 6B | 81 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM |
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