1 | | Musikalischer Versuch: No. 3, Montan und Lalage | August Bernhard Valentin Herbing, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
2 | | Das Lied der Trennung, K. 519 | Wolfgang Amadeus Mozart, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
3 | | An den Schlaf | Friedrich Gottlob Fleischer, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
4 | | An Chloe, K. 524 | Wolfgang Amadeus Mozart, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
5 | | Als Luise die Briefe, K. 520 | Wolfgang Amadeus Mozart, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
6 | | Abendempfindung, K. 523 | Wolfgang Amadeus Mozart, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
7 | | An das Clavier | Christian Michael Wolff, Carolyn Sampson, Kristian Bezuidenhout | C Major | 8B | 115 |
8 | | Das Clavier | Friedrich Gottlob Fleischer, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
9 | | Der Verlassene, Hob. XXVIa:5 | Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
10 | | Vergiß mein nicht, Hob. XXVIa:46 (Antwort auf die Frage eines Mädchens) | Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
11 | | Das Leben ist ein Traum, Hob. XXVIa:21 | Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
12 | | Arianna a Naxos, Hob. XXVIb:2: No. 1, Teseo mio ben | Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
13 | | Arianna a Naxos, Hob. XXVIb:2: No. 2, Dove sei, mio bel tesoro? | Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
14 | | Arianna a Naxos, Hob. XXVIb:2: No. 3, Ma, a chi parlo? | Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |
15 | | Arianna a Naxos, Hob. XXVIb:2: No. 4, Ah! Che morir vorrei | Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout | F Major | 7B | 100 |