"An das Clavier" by Christian Michael Wolff, Carolyn Sampson, Kristian Bezuidenhout was released on March 4, 2022. Since An das Clavier is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Trennung: Songs of Separation". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. In terms of popularity, An das Clavier is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With An das Clavier by Christian Michael Wolff, Carolyn Sampson, Kristian Bezuidenhout having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 4 in A Minor: V. Giga | Richard Jones, Gerald Gifford | A Minor | 3 | 8A | 119 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: I. Sinfonia / Improvisation on Weinen, Klagen, Sorgen, Zagen | Johann Sebastian Bach, Marcel Ponseele, Jean-Paul Estiévenart, Anthony Romaniuk, Il Gardellino | C Minor | 1 | 5A | 72 BPM | ||
Minuet in G Major, BWV Anh. 116 | Carl Philipp Emanuel Bach, Luc Beauséjour | F♯ Major | 1 | 2B | 81 BPM | ||
Pieces de clavecin: Suite in D Minor - major: I. Les Tendres Plaintes (Rondeau) | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Symphony I in D Major, WQ 183/1: II. Largo | Carl Philipp Emanuel Bach, Barokkanerne, Alfredo Bernardini | E♭ Major | 1 | 5B | 113 BPM | ||
I. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, Bereit | Pieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach | F♯ Major | 1 | 2B | 112 BPM | ||
Harpsichord Concerto No. 6 in F Major, BWV 1057: II. Andante | Johann Sebastian Bach, Fabio Bonizzoni, La Risonanza | D♭ Minor | 1 | 12A | 72 BPM | ||
The Musical Offering, BWV 1079, Triosonata: II. Allegro | Johann Sebastian Bach, Jan De Winne, Sophie Gent, Lorenzo Ghielmi, Vittorio Ghielmi | D♭ Major | 2 | 3B | 110 BPM | ||
Hohe Messe in B Minor, BWV 232: No. 8, Domine Deus | Johann Sebastian Bach, Merseburger Hofmusik, Michael Schönheit, Gerlinde Samann, Falk Hoffmann | F♯ Major | 1 | 2B | 141 BPM | ||
Jesu, meine Freude, BuxWV 60: II. Jesu, meine Freude | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 77 BPM |
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