"Arianna a Naxos, Hob. XXVIb:2: No. 3, Ma, a chi parlo?" by Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout was released on March 4, 2022. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Trennung: Songs of Separation". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Arianna a Naxos, Hob. XXVIb:2: No. 3, Ma, a chi parlo? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arianna a Naxos, Hob. XXVIb:2: No. 3, Ma, a chi parlo? by Joseph Haydn, Carolyn Sampson, Kristian Bezuidenhout having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Piano Concerto No. 4 in G Minor: III. (Rondo): Allegretto | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | G Minor | 2 | 6A | 112 BPM | ||
Octet in F Major, D. 803: III. Allegro vivace - Trio | Franz Schubert, Budapest Schubert Ensemble | D Major | 3 | 10B | 84 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Robin Adair | Haydn Trio Eisenstadt, Franz Joseph Haydn, Lorna Anderson, Jamie MacDougall | C Major | 1 | 8B | 99 BPM |
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