"In nomine (1999) for flute, oboe, clarinet, percussion, piano, violin, viola and Violoncello" by Franz Martin Olbrisch, Ensemble Recherche had its release date on January 1, 2004. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. In nomine (1999) for flute, oboe, clarinet, percussion, piano, violin, viola and Violoncello's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ensemble Recherche's "IN NOMINE: The Witten In Nomine Broken Consort Book" album is number 15 out of 42. On top of that, Austria appears to be the country where this track was created. In nomine (1999) for flute, oboe, clarinet, percussion, piano, violin, viola and Violoncello is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In nomine (1999) for flute, oboe, clarinet, percussion, piano, violin, viola and Violoncello by Franz Martin Olbrisch, Ensemble Recherche to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rapsodie espagnole | Maurice Ravel, Faccini Piano Duo | F♯ Minor | 1 | 11A | 65 BPM | ||
Cello Concerto 'Earth, Sea, Air': II. Sea | Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | D Major | 3 | 10B | 85 BPM | ||
Kleine Kammermusik, Op. 24, No. 2: 1. Lustig. Mässig schnelle Viertel | Paul Hindemith, Omega Ensemble | E Major | 1 | 12B | 106 BPM | ||
Lake: IV. To reed you as my inside | Leah Blankendaal, Claire Nashar, Luminescence Chamber Singers, Roland Peelman | D Minor | 0 | 7A | 71 BPM | ||
Cage: Mysterious Adventure | John Cage, Bertrand Chamayou | F Major | 2 | 7B | 111 BPM | ||
30 Capricien, Op. 107, "Gradus ad Parnassum": No. 28. Sciolto, elegante e rapido | Sigfrid Karg-Elert, Thies Roorda | F Minor | 0 | 4A | 80 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Symphony, Op. 20: VII. Temps suspendu | Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson | C Major | 0 | 8B | 132 BPM | ||
Préludes, Book 2, CD 131: III. La puerta del vino | Claude Debussy, Lívia Rév | F Minor | 0 | 4A | 67 BPM |