"Symphony, Op. 20: VII. Temps suspendu" by Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson was released on May 20, 2022. With Symphony, Op. 20: VII. Temps suspendu being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson's "Hyde: Symphony, Op. 20" album is number 7 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Symphony, Op. 20: VII. Temps suspendu's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony, Op. 20: VII. Temps suspendu by Thomas Hyde, BBC Scottish Symphony Orchestra, Geoffrey Paterson to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tempest: Suite No. 2, Op. 109: II. Intermezzo | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A♭ Minor | 0 | 1A | 57 BPM | ||
Symphony-Concerto in E minor, Op. 125: I. Andante | Sergei Prokofiev, Christian Poltéra, Lahti Symphony Orchestra, Anja Bihlmaier | A Major | 2 | 11B | 160 BPM | ||
Romanian Folk Dances, Sz. 68: No. 4, Buciumeana | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 16, Allegretto | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Rhapsody, Concerto for Orchestra (2021 Version): II. Airs and Rhapsodies | Margaret Brouwer, ORF Vienna Radio Symphony Orchestra, Marin Alsop | D Minor | 0 | 7A | 69 BPM | ||
Schoenberg: 6 Kleine Klavierstücke, Op. 19: No. 6, Sehr langsam | Arnold Schoenberg, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
Suite for Violin and Piano, Op. 6: I. March | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 1: The Seven Ages. Variation II | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM |
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