Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard made "Romanian Folk Dances, Sz. 68: No. 4, Buciumeana" available on March 29, 2024. With Romanian Folk Dances, Sz. 68: No. 4, Buciumeana being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 26 out of 29 in Bartok: The Wooden Prince (Final Version) by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Romanian Folk Dances, Sz. 68: No. 4, Buciumeana's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Romanian Folk Dances, Sz. 68: No. 4, Buciumeana by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever du jour | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | E Minor | 1 | 9A | 78 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: IV. Larghetto | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | C Minor | 3 | 5A | 76 BPM | ||
21 Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard | G Minor | 2 | 6A | 144 BPM | ||
Capriccio italien, Op. 45 | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | A Major | 4 | 11B | 86 BPM | ||
14 Bagatelles Sz. 38: No. 6 Lento | Béla Bartók, Irene Cantos | N/A | N/A | N/A | 0 BPM | ||
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
Symphony No. 6 in F, Op. 68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, Royal Philharmonic Orchestra, Henry Lewis | F Minor | 1 | 4A | 70 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VI. Allegro assai | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale. Allegro | Franz Joseph Haydn, Simon Höfele, BBC Scottish Symphony Orchestra, Duncan Ward | E♭ Major | 2 | 5B | 146 BPM | ||
Don Quixote, Op. 35 (Fantastic Variations on a Theme of Knightly Character): Theme: Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Leonard Slatkin, János Starker, Andreas Röhn, Oskar Lysy | C Major | 0 | 8B | 80 BPM |
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