Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard made "21 Hungarian Dances, WoO 1: No. 1 in G Minor" available on January 1, 2002. The duration of 21 Hungarian Dances, WoO 1: No. 1 in G Minor is about 3 minutes long, at 3:08. Based on our data, "21 Hungarian Dances, WoO 1: No. 1 in G Minor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Nyårskonsert". In this album, this song's track order is #6. Based on our statistics, 21 Hungarian Dances, WoO 1: No. 1 in G Minor's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 21 Hungarian Dances, WoO 1: No. 1 in G Minor by Johannes Brahms, Swedish Chamber Orchestra, Thomas Dausgaard having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Méditation (from Thaïs) | Jules Massenet, London Festival Orchestra, Alberto Lizzio | E Minor | 1 | 9A | 52 BPM | ||
Piano Concerto in C Minor, Op. 185: III. Finale. Allegro | Joachim Raff, Michael Ponti, Hamburg Symphony Orchestra, Richard Kapp | D Minor | 3 | 7A | 87 BPM | ||
The New Four Seasons - Winter: I. Freezing and Shivering (After Violin Concerto No. 4, Op. 8, RV 297, I. Allegro non molto, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM | ||
L'etoile du nord: Act III: Entr'acte | Giacomo Meyerbeer, Elizabeth Futral, Vladimir Ognev, Darina Takova, Aled Hall, Christopher Maltman, Juan Diego Flórez, Agnete Munk Rasmussen, Patrizia Cigna, Robert Lee, Fernand Bernadi, Luis Ledesma, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Vladimir Jurowski | G Major | 0 | 9B | 79 BPM | ||
Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto (1) | Sergei Rachmaninoff, Klára Würtz, Ukraine National Symphony Orchestra, Vladimir Sirenko | E Major | 0 | 12B | 46 BPM | ||
Schön Rosmarin | Fritz Kreisler, Michael Collins, Michael McHale | G Major | 1 | 9B | 104 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 3. Con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Espada Suite: I. Panaderos | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 108 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Pas Classique Hongrois | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | F Minor | 0 | 4A | 82 BPM |
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