Sigfrid Karg-Elert, Thies Roorda made "30 Capricien, Op. 107, "Gradus ad Parnassum": No. 28. Sciolto, elegante e rapido" available on May 27, 2014. With 30 Capricien, Op. 107, "Gradus ad Parnassum": No. 28. Sciolto, elegante e rapido being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Sigfrid Karg-Elert, Thies Roorda's "Karg-Elert: Complete Works for Flute" album is number 31 out of 44. On top of that, Hong Kong appears to be the country where this track was created. 30 Capricien, Op. 107, "Gradus ad Parnassum": No. 28. Sciolto, elegante e rapido is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 30 Capricien, Op. 107, "Gradus ad Parnassum": No. 28. Sciolto, elegante e rapido by Sigfrid Karg-Elert, Thies Roorda to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare (Lemmens) | Arturo Sacchetti | D Major | 3 | 10B | 104 BPM | ||
Ave Verum | John Mann | G Major | 1 | 9B | 68 BPM | ||
Concerto Saint Marc: I. Grave | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 1 | 6B | 68 BPM | ||
Orgelsymfoni nr. 5 i F, Op. 42, nr. 1; V Allegro ”Toccata” | Charles-Marie Widor, Sven Verner Olsen | F Major | 3 | 7B | 108 BPM | ||
A Fugal Concerto, Op. 40: III. Allegro | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Toccatatiamo | Mikko Finneman | C Minor | 3 | 5A | 129 BPM | ||
20 Chorale Preludes & Postludes for Organ (Version for Organ): No. 11, Liebster Jesu, wir sind hier | Sigfrid Karg-Elert, Stefan Engels | C Major | 2 | 8B | 80 BPM | ||
Dupré: Prelude and Fugue in G Minor, Op. 7 No. 3: Fugue | Marcel Dupré, Wayne Marshall | G Minor | 1 | 6A | 68 BPM | ||
Toccata In F Major | Jules Grison, Charles-Marie Widor, David M Patrick | F Major | 3 | 7B | 102 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM |
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