Marcel Dupré, Wayne Marshall's 'Dupré: Prelude and Fugue in G Minor, Op. 7 No. 3: Fugue' came out on September 6, 2023. The duration of Dupré: Prelude and Fugue in G Minor, Op. 7 No. 3: Fugue is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Dupré: Prelude and Fugue in G Minor, Op. 7 No. 3: Fugue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Virtuoso Organist. Music for Special Occasions at the Organ of Coventry Cathedral. Widor, Saint-Saëns, Bach, Vierne, Verdi...". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Dupré: Prelude and Fugue in G Minor, Op. 7 No. 3: Fugue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dupré: Prelude and Fugue in G Minor, Op. 7 No. 3: Fugue by Marcel Dupré, Wayne Marshall having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Symphony No. 6 in G Minor, Op. 42, No. 2: I. Allegro | Charles-Marie Widor, Hans Fagius | G Minor | 2 | 6A | 142 BPM | ||
Celebratio | Frank Kaman | B♭ Major | 4 | 6B | 83 BPM | ||
Suite No. 2: Toccata | Louis Vierne, Olivier Latry | B♭ Minor | 5 | 3A | 75 BPM | ||
The Leaves Bee Greene | William Inglott, Neil Taylor | B Minor | 1 | 10A | 73 BPM | ||
Organ Symphony No. 1 in D Minor, Op. 14: VI. Finale | Louis Vierne, Bertalan Hock | A Major | 2 | 11B | 74 BPM | ||
Missa Solemnis: II. Gloria in excelsis Deo | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 102 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM | ||
Boellmann: Suite gothique: Toccata | Conrad Zwicky | F Minor | 2 | 4A | 132 BPM | ||
God save the King, Op. 67: Bearbeitung I | Adolph Friedrich Hesse, Halgeir Schiager | A Major | 0 | 11B | 77 BPM | ||
30 Little Chorale Preludes, Op. 135a: No. 25. Wachet auf, ruft uns die Stimme | Max Reger, Martin Welzel | D Minor | 2 | 7A | 67 BPM |
Section: 0.6727979183197021
End: 0.6780517101287842