William Lawes, Purcell Quartet's 'Fantasia Suite No. 1 in G Minor: II. Almain' came out on January 1, 1994. The duration of Fantasia Suite No. 1 in G Minor: II. Almain is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Fantasia Suite No. 1 in G Minor: II. Almain's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in William Lawes, Purcell Quartet's "Lawes: Fantasia Suites" album is number 2 out of 24. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Fantasia Suite No. 1 in G Minor: II. Almain is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasia Suite No. 1 in G Minor: II. Almain by William Lawes, Purcell Quartet to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lawes: Consort Set No. 8 for 6 Viols in F Major, VdGS 90-93: III. Fantazy | William Lawes, Fretwork | F Major | 1 | 7B | 81 BPM | ||
Jenkins, John: Fantasy No. 6 for 4 Viols in F Major | John Jenkins, Fretwork | F Major | 1 | 7B | 75 BPM | ||
Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 112 BPM | ||
La bizare: Gaillarde | Francesca Torelli, Charles Mouton | A Minor | 1 | 8A | 129 BPM | ||
La Guitarre Royalle: Gigue 'cherie du Roy' | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 1 | 3B | 98 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Sonata in G Major for viola da gamba - Adagio | Carl Friedrich Abel, Move Records, The Marais Project | G Minor | 0 | 6A | 67 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Preludio Décimo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Minor | 1 | 11A | 108 BPM | ||
Suite No. 1: II. Alman | William Lawes, London Baroque | A Major | 1 | 11B | 88 BPM |
Section: 0.6616034507751465
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