John Dowland, Julian Bream, Golden Age Singers, Margaret Field-Hyde's 'First Booke of Songes, 1597: 5. Can she excuse my wrongs' came out on December 23, 2020. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 37 out of 69 in Dowland - Great Recordings by John Dowland. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. First Booke of Songes, 1597: 5. Can she excuse my wrongs is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of First Booke of Songes, 1597: 5. Can she excuse my wrongs by John Dowland, Julian Bream, Golden Age Singers, Margaret Field-Hyde is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Gaudeamus: I. Kyrie eleison I | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | D Minor | 2 | 7A | 67 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
Tarphicken | Mr Beck, Ronn McFarlane | B Major | 1 | 1B | 75 BPM | ||
Suite No. 9 en ré mineur: Sarabande | Robert de Visée, Sandro Volta | D♭ Major | 0 | 3B | 115 BPM | ||
Bacco, Bacco | Mattio Rampollini, Capilla Flamenca | F Major | 5 | 7B | 112 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Sinfonia | Biagio Marini, Odhecaton, Paolo da Col | A Minor | 1 | 8A | 115 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Salve Regina | Jacob Obrecht, The Sixteen | D♭ Minor | 1 | 12A | 75 BPM |
Section: 0.7777440547943115
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