Ingolf Turban, Giovanni Bria's 'Erlkönig. Caprice für Violine allein nach der Ballade von Franz Schubert op. 26' came out on January 1, 1996. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ingolf Turban & Giovanni Bria's "Heinrich Wilhelm Ernst: Music For Solo Violin & For Violin & Piano" album is number 14 out of 14. Based on our statistics, Erlkönig. Caprice für Violine allein nach der Ballade von Franz Schubert op. 26's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Erlkönig. Caprice für Violine allein nach der Ballade von Franz Schubert op. 26 by Ingolf Turban, Giovanni Bria to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cafe Music: III. Presto | Paul Schoenfield, Lev Polyakin, Charles Bernard, Frances Renzi | C Minor | 3 | 5A | 151 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, St Petersburg Philharmonic Orchestra (Leningrad)/Mariss Jansons, Mariss Jansons | D Minor | 1 | 7A | 109 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák) | James Ehnes | D Minor | 1 | 7A | 101 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM |
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