"Avec la poupée" by Montserrat Figueras, Modest Mussorgsky, Paul Badura-Skoda was released on February 27, 2012. With Avec la poupée being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "The Voice of Emotion". In this album, this song's track order is #18. In terms of popularity, Avec la poupée is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Avec la poupée by Montserrat Figueras, Modest Mussorgsky, Paul Badura-Skoda having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Reveci venir du printemps | Claude Le Jeune, Olivier Brault, Sylvain Bergeron, Suzie LeBlanc, Francis Colpron, Matthias Maute, Les Voix Humaines, Hélène Plouffe, Vincent Dhavernas, Daniel Taylor | A♭ Major | 2 | 4B | 83 BPM | ||
O pastor animarum | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | B♭ Major | 0 | 6B | 112 BPM | ||
Christ lag in Todesbanden | Johann Walter, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 138 BPM | ||
Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
O virga ac diadema | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | B♭ Minor | 0 | 3A | 80 BPM | ||
Improvisation II on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | B Major | 1 | 1B | 107 BPM | ||
Antiphona O, quam mirabilis est | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Kamila Mazalová | G Major | 0 | 9B | 63 BPM | ||
Pavana Con Su Glosa | Antonio de Cabezón, Hespèrion XXI, Jordi Savall | C Major | 1 | 8B | 117 BPM | ||
Prélude pour le Magnificat à quatre voix, H. 533 | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Jordi Savall, Montserrat Figueras, Maria Cristina Kiehr, Gérard Lesne, John Elwes, Josep Cabre, Le Concert Des Nations | D♭ Minor | 2 | 12A | 93 BPM |
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