I Musici Di San Marco, Alberto Lizzio made "Symphony No.8 G Major HOB 1-8 'Le Soir': La Tempesta-Presto" available on July 1, 1996. With this song being about 5 minutes long, at 5:15, "Symphony No.8 G Major HOB 1-8 'Le Soir': La Tempesta-Presto" by I Musici Di San Marco, Alberto Lizzio is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in I Musici Di San Marco, Alberto Lizzio's "Haydn - Symphonies" album is number 12 out of 12. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Symphony No.8 G Major HOB 1-8 'Le Soir': La Tempesta-Presto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Symphony No.8 G Major HOB 1-8 'Le Soir': La Tempesta-Presto by I Musici Di San Marco, Alberto Lizzio to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Delibes: Sylvia: Act III. Cortège de Bacchus | Léo Delibes, San Francisco Symphony, Michael Tilson Thomas | E Major | 4 | 12B | 115 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Eldar Nebolsin | G Minor | 2 | 6A | 114 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Violin Concerto No. 3: III. Vivo | Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz | F♯ Major | 0 | 2B | 71 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Rieding: Violin Concerto No. 2 in B Minor, Op. 35: I. Allegro moderato | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 2 | 10A | 120 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto | Ludwig van Beethoven, Kodály Quartet | B♭ Minor | 1 | 3A | 162 BPM |
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