Ludwig van Beethoven, Kodály Quartet made "String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto" available on September 22, 2000. The duration of String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 7 in Beethoven: String Quartet, Op. 130 / Grosse Fuge, Op. 133 by Ludwig van Beethoven. The popularity of String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto is currently average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto by Ludwig van Beethoven, Kodály Quartet is Vivace (lively and fast), since this song has a tempo of 162 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A Minor | 1 | 8A | 82 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D Minor | 2 | 7A | 148 BPM | ||
Symphony No. 6 (Arr. Piano) | Music Lab Collective, Ludwig van Beethoven | F Major | 0 | 7B | 101 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Horn Sonata in F Major, Op. 17 (arr. for Cello and Piano) II. Poco Adagio, quasi Andante | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | F Major | 1 | 7B | 73 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Beethoven: Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo | Ludwig van Beethoven, Andrew von Oeyen | B♭ Minor | 2 | 3A | 142 BPM |
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