Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus's 'Gloria in D Major, RV 589: XI. Quoniam tu solus sanctus' came out on April 1, 1989. With Gloria in D Major, RV 589: XI. Quoniam tu solus sanctus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi: Gloria in D Major, RV 589 - Bach: Magnificat in D Major, BWV 243 by Robert Shaw, Atlanta Symphony Orchestra, Atlanta Symphony Orchestra Chamber Chorus. The song's track number on the album is #11 out of 24 tracks. Based on our data, United States was the country where this track was produced or recorded. Gloria in D Major, RV 589: XI. Quoniam tu solus sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gloria in D Major, RV 589: XI. Quoniam tu solus sanctus by Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gloria in D Major, RV 589: XI. Quoniam tu solus sanctus being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Minor | 0 | 5A | 81 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Concerto con molti istromenti (Do Maggiore, RV 555): I. Allegro | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Jordi Savall, Imke David, Michael Behringer, Pierre Hamon, Sebastian Marq, Diego Montes, René Maze, Alfredo Bernardini, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Cello & Orchestra): III. Largo | Anonymous , Antonio Vivaldi, Pavel Ulanicki, Cologne New Philharmonic Orchestra, Volker Hartung | E Minor | 0 | 9A | 71 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |
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