Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs's '6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio' came out on August 12, 2016. The duration of 6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio is about 3 minutes long, at 3:04. Based on our data, "6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 6 Violin Sonatas, Op. 10b, so we believe that "6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio" is a single. 6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio by Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | A Major | 0 | 11B | 60 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM | ||
Passacaglia in G Minor (after G.F. Handel's Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) (arr. for violin and cello) | Anonymous, Johan Halvorsen, Julia Fischer, Daniel Müller-Schott | G Minor | 1 | 6A | 59 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM |
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