Alan Cuckston, François Couperin made "Pieces De Clavecin, Book 4: 22nd Ordre In D Major-minor: Premier Air Pour La Suite Du Trophee / First Air For The Trophy Suite" available on March 1, 1991. The duration of Pieces De Clavecin, Book 4: 22nd Ordre In D Major-minor: Premier Air Pour La Suite Du Trophee / First Air For The Trophy Suite is about 3 minutes long, at 3:19. Based on our data, "Pieces De Clavecin, Book 4: 22nd Ordre In D Major-minor: Premier Air Pour La Suite Du Trophee / First Air For The Trophy Suite" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 22 in Couperin, F. : Suites For Harpsichord Nos. 22, 23, 25 & 26 by Alan Cuckston. In terms of popularity, Pieces De Clavecin, Book 4: 22nd Ordre In D Major-minor: Premier Air Pour La Suite Du Trophee / First Air For The Trophy Suite is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Pieces De Clavecin, Book 4: 22nd Ordre In D Major-minor: Premier Air Pour La Suite Du Trophee / First Air For The Trophy Suite by Alan Cuckston, François Couperin is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 90 BPM | ||
Pieces de clavecin: Suite in A Minor - major: Deuxieme Allemande | Jean-Philippe Rameau, Alan Cuckston | G Minor | 5 | 6A | 85 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | D♭ Major | 2 | 3B | 132 BPM | ||
Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
Nouvelles suites de Pieces de clavecin: Suite in A Minor - Major: Gavotte avec 6 Doubles - 5me Double | Jean-Philippe Rameau, Alan Cuckston | G Minor | 5 | 6A | 85 BPM | ||
Concerto in G major: Allegro | Membri Dell'Accademia Della Magnifica Comunita | F♯ Major | 1 | 2B | 100 BPM | ||
12 Concerti da Chiesa, Op. 2 No.4: I. Allegro moderato | Evaristo Felice Dall'Abaco, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 108 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: Sinfonia melodica in C Major, TWV 50:2: VI. Chaconette | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM |
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