Franz Joseph Haydn, Sir Colin Davis, Ian Bostridge, Dietrich Henschel, Sally Matthews, London Symphony Orchestra made "The Creation, Hob.XXI:2, Part II, No. 19: In Holder Anmut Stehn, Mit Jungem Grun" available on June 9, 2009. With this song being about 5 minutes long, at 4:33, "The Creation, Hob.XXI:2, Part II, No. 19: In Holder Anmut Stehn, Mit Jungem Grun" by Franz Joseph Haydn, Sir Colin Davis, Ian Bostridge, Dietrich Henschel, Sally Matthews, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Dietrich Henschel, London Symphony Orchestra, Sir Colin Davis's "Haydn: The Creation (Die Schöpfung)" album is number 5 out of 35. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI:2, Part II, No. 19: In Holder Anmut Stehn, Mit Jungem Grun is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Creation, Hob.XXI:2, Part II, No. 19: In Holder Anmut Stehn, Mit Jungem Grun by Franz Joseph Haydn, Sir Colin Davis, Ian Bostridge, Dietrich Henschel, Sally Matthews, London Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Waldmädchen: No. 19, Masur | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | D Major | 1 | 10B | 84 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 94 BPM |
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