"Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice" by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2000. With Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan's "Karajan conducts Tchaikovsky" album is number 6 out of 69. In terms of popularity, Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 In C Minor, Op.68: 3. Un poco allegretto e grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 84 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation V - Allegro moderato - Cadenza | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Concerto grosso in B minor, Op. 6, No. 12: 4. Largo | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Karl Scheit, Friedrich Fischer, Herbert von Karajan, Edith Picht-Axenfeld, Berliner Philharmoniker | G Major | 2 | 9B | 141 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Minor | 4 | 12A | 173 BPM | ||
Apollon musagète (1947 Version) / Second Tableau: Pas de deux (Apollon et Terpsichore) Adagio | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
Don Quixote - fantastic variations for cello, viola & orchestra, Op.35: Variation II: Kriegerisch - The battle with the sheep | Mstislav Rostropovich, Ulrich Koch, Herbert von Karajan, Berliner Philharmoniker | E Major | 1 | 12B | 83 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Daphnis et Chloé, M. 57 / Deuxième partie: Danse guerrière | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | D♭ Major | 1 | 3B | 94 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A Minor | 5 | 8A | 127 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM |
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