"Cantique de Jean Racine, Op. 11" by Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow was released on 1989. With this song being about 5 minutes long, at 4:57, "Cantique de Jean Racine, Op. 11" by Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 18 in Fauré/Duruflé/Messiaen by The Choir Of Trinity College, Cambridge. Cantique de Jean Racine, Op. 11 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantique de Jean Racine, Op. 11 by Gabriel Fauré, The Choir Of Trinity College, Cambridge, London Musici, Richard Marlow is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Motets sur des themes gregoriens, Op. 10: I. Ubi caritas | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | D Major | 0 | 10B | 78 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Lucy Crowe, Tim Mead, La Nuova Musica, David Bates | E Minor | 0 | 9A | 71 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Evening Prayer | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, Ted Belledin | A Major | 0 | 11B | 133 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
God be in my head | Henry Walford Davies, The Choir Of Trinity College, Cambridge | A Major | 0 | 11B | 65 BPM | ||
3 Chansons de Charles d'Orleans: Trois Chansons de Charles d'Orleans: Dieu! Qu'il la fait bon regarder! | Claude Debussy, Stephen Ralls, Tafelmusik Chamber Choir | A♭ Minor | 0 | 1A | 76 BPM | ||
Northern Lights | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | D♭ Minor | 0 | 12A | 68 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM |
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