- BPM
- 97
- Key
- A Major
- Camelot
- 11B
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: XIX. Chor mit Soli: "Der Herr ist groß in seiner Macht" - Franz Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein Information
- Acousticness
- 96%
- Danceability
- 33%
- Energy
- 41%
- Instrumentalness
- 1%
- Liveness
- 28%
- Loudness
- 78%
- Speechiness
- 3%
- Valence
- 20%
- Popularity
- 9%
- Loudness
- -12.967 dB
Summary
Franz Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein's 'Die Schöpfung, Hob. XXI:2 / Zweiter Teil: XIX. Chor mit Soli: "Der Herr ist groß in seiner Macht"' came out on January 1, 1969. The duration of Die Schöpfung, Hob. XXI:2 / Zweiter Teil: XIX. Chor mit Soli: "Der Herr ist groß in seiner Macht" is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Die Schöpfung, Hob. XXI:2 / Zweiter Teil: XIX. Chor mit Soli: "Der Herr ist groß in seiner Macht"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 20 out of 33. In terms of popularity, Die Schöpfung, Hob. XXI:2 / Zweiter Teil: XIX. Chor mit Soli: "Der Herr ist groß in seiner Macht" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: XIX. Chor mit Soli: "Der Herr ist groß in seiner Macht" BPM
We consider the tempo marking of Die Schöpfung, Hob. XXI:2 / Zweiter Teil: XIX. Chor mit Soli: "Der Herr ist groß in seiner Macht" by Franz Joseph Haydn, Gundula Janowitz, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: XIX. Chor mit Soli: "Der Herr ist groß in seiner Macht" Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schubert: Mass in G Major, D. 167: Gloria | Franz Schubert, Lucia Popp, Adolf Dallapozza, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | |
 | Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Ecco un nuovo tormento! | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Bernarda Fink, Veronica Cangemi | A♭ Major | 1 | 4B | 175 BPM | |
 | Violin Concerto in G Major (completed by G. Rose): II. Adagio | Johann Nepomuk Hummel, Alexander Trostianski, Russian Philharmonic Orchestra, Gregory Rose | G Major | 1 | 9B | 92 BPM | |
 | Die Fledermaus / Act 1: Nr.3 Duett: "Komm mit mir zum Souper" | Johann Strauss II, Bernd Weikl, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 120 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
| Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | |
 | Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank) | Johann Strauss II, Chen Reiss, Sabine Kallhammer, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 1 | 9B | 137 BPM | |
 | La Cenerentola / Act 2: Dunque non siam burlate? | Gioachino Rossini, Gloria Banditelli, Fernanda Costa, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | |
| Orfeo ed Euridice: Act III, Scene 1, Orfeo: Qual' vita è questa mai | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | G Major | 0 | 9B | 137 BPM | |
 | Die Schöpfung, Hob.XXI:2, Part 3: No. 30, Duett mit Chor "Von deiner Güt o Herr und Gott" (Eva, Adam) | Joseph Haydn, Julia Kleiter, Johannes Weisser, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | B♭ Major | 4 | 6B | 115 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0761444568634033
End: 1.0797350406646729