On 1977, the song "Triumphal March from Tancrede - Instrumental" was released by André Campra, Richard Kapp, Philharmonia Virtuosi of New York. With Triumphal March from Tancrede - Instrumental being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Super Hits of 1720". In this album, this song's track order is #10. Based on our statistics, Triumphal March from Tancrede - Instrumental's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Triumphal March from Tancrede - Instrumental by André Campra, Richard Kapp, Philharmonia Virtuosi of New York having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le carnaval de Venise: Prologue Scene 2: Je quitte sans regret la demeure immortelle (Minerva, Ordinator, Chorus) | André Campra, Salomé Haller, Marina de Liso, Andrew Foster-Williams, Alain Buet, Mathias Vidal, Sarah Tynan, Blandine Staskiewicz, Luigi De Donato, Le Concert Spirituel, Herve Niquet | E♭ Major | 2 | 5B | 71 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Macbeth: March for Macbeth | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 3 | 10B | 110 BPM | ||
Russian Romance: P.Chernyetsky | Mela Tenenbaum | C Minor | 1 | 5A | 81 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Concerto No. 2 in F Major, BWV 1047: I. Allegro - Instrumental | Johann Sebastian Bach, Richard Kapp | F Major | 3 | 7B | 98 BPM | ||
Pergolesi: Flute Concerto in G Major, P. 33: III. Allegro spiritoso (Also Attributed to Paganelli) | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | G Major | 2 | 9B | 119 BPM | ||
"Marche de triomphe et Second air de trompette" in D Major: II. Second air de trompette | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 8 | 3B | 121 BPM | ||
Sinfonia Concertante in F Major: III. Allegro | Federigo Fiorillo, Julia Girdwood, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 139 BPM | ||
Concerto in D Major, Op. 6 No. 1: I. Largo - Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | D♭ Major | 1 | 3B | 118 BPM |
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