Antonio Caldara, Niklas Eklund, Susanne Rydén, London Baroque, Charles Medlam's 'La vittoria segue' came out on January 21, 1998. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 18 in Baroque Trumpet (The Art Of The), Vol. 3 by Susanne Rydén, Charles Medlam, London Baroque. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, La vittoria segue is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La vittoria segue by Antonio Caldara, Niklas Eklund, Susanne Rydén, London Baroque, Charles Medlam is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | G Minor | 0 | 6A | 172 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM | ||
Nabucco: Prologo / Siamo a riva | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo Bellotto | B♭ Minor | 1 | 3A | 77 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Maddalena ai piedi di Cristo: No. 14 Aria Amor Terreno "Fin che danzan le grazie sul viso" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | B Major | 3 | 1B | 88 BPM | ||
Phaeton: Acte II, Chaconne | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | F Major | 2 | 7B | 130 BPM | ||
Juditha Triumphans, RV 644, Pt. 1: O quam vaga, venusta, o quam decora | Antonio Vivaldi, Alessandro De Marchi, Academia Montis Regalis, Coro Giovanile, Marina Comparato | G Minor | 2 | 6A | 173 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM |
Section: 0.5212855339050293
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