Pictures at an Exhibition, IMM 50: VI. Samuel Goldenburg and Schmuyle. Andante - Modest Mussorgsky, Eugene Ormandy, Philadelphia Orchestra Information

Acousticness: 87%
Danceability: 25%
Energy: 14%
Instrumentalness: 66%
Liveness: 9%
Loudness: 62%
Speechiness: 4%
Valence: 9%
Popularity: 0%
Loudness: -22.699 dB

Summary

"Pictures at an Exhibition, IMM 50: VI. Samuel Goldenburg and Schmuyle. Andante" by Modest Mussorgsky, Eugene Ormandy, Philadelphia Orchestra was released on 1957. The duration of Pictures at an Exhibition, IMM 50: VI. Samuel Goldenburg and Schmuyle. Andante is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Pictures at an Exhibition, IMM 50: VI. Samuel Goldenburg and Schmuyle. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #10. Pictures at an Exhibition, IMM 50: VI. Samuel Goldenburg and Schmuyle. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pictures at an Exhibition, IMM 50: VI. Samuel Goldenburg and Schmuyle. Andante BPM

With Pictures at an Exhibition, IMM 50: VI. Samuel Goldenburg and Schmuyle. Andante by Modest Mussorgsky, Eugene Ormandy, Philadelphia Orchestra having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Pictures at an Exhibition, IMM 50: VI. Samuel Goldenburg and Schmuyle. Andante Key

This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Glinka: Overture from Ruslan and Ludmilla	Mikhail Glinka, Budapest Philharmonic Orchestra, Rico Saccani	D Major	3	10B	76 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio	Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn	A♭ Major	0	4B	95 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	74 BPM
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro)	Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	2	5B	87 BPM
St. Paul's Suite, Op. 29, No. 2: I. Jig	Gustav Holst, English Sinfonia, Howard Griffiths	D Minor	3	7A	78 BPM
Debussy: Syrinx, L. 129	Claude Debussy, Emmanuel Pahud	B Major	0	1B	165 BPM
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	G Major	1	9B	80 BPM
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai	Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth	F♯ Minor	2	11A	156 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": IV. Saltarello. Presto	Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado	A Minor	1	8A	100 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.822676420211792

End: 0.8280797004699707