Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave
George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown
Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12
1:12 January 1, 2000
BPM
87
Key
A Major
Camelot
11B

Embed

Share Link

Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave - George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown Information

Acousticness
98%
Danceability
33%
Energy
23%
Instrumentalness
82%
Liveness
10%
Loudness
71%
Speechiness
4%
Valence
42%
Popularity
Loudness
-17.139 dB

Summary

George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown made "Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave" available on January 1, 2000. With Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 11 out of 32. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave BPM

We consider the tempo marking of Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.

Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro by George Frideric Handel, Gerhart Hetzel, Hedwig Bilgram, Münchener Bach-Orchester, Karl RichterConcerto grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. AllegroGeorge Frideric Handel, Gerhart Hetzel, Hedwig Bilgram, Münchener Bach-Orchester, Karl RichterD♭ Minor112A76 BPM
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part I: Altri canti di Marte e di sua schiera by Claudio Monteverdi / Marino (t), Alfred Deller, Deller ConsortOttavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part I: Altri canti di Marte e di sua schieraClaudio Monteverdi / Marino (t), Alfred Deller, Deller ConsortG Major39B132 BPM
Förster: Horn Concerto in E-Flat Major: I. Con discrezione by Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the FieldsFörster: Horn Concerto in E-Flat Major: I. Con discrezioneChristoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the FieldsE♭ Major15B80 BPM
Ottone, re di Germania, HWV 15: Overture: I. Maestoso by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardOttone, re di Germania, HWV 15: Overture: I. MaestosoGeorge Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardE♭ Major15B78 BPM
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 4. Largo by Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona BrownConcerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 4. LargoGeorg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona BrownB Minor010A89 BPM
Beethoven: 12 Contredanses, WoO 14: No. 12 in E-Flat Major by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the FieldsBeethoven: 12 Contredanses, WoO 14: No. 12 in E-Flat MajorLudwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the FieldsE♭ Major15B97 BPM
Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio by Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella IstropolitanaConcerto Grosso In C Major, Op. 6, No. 10: III. AdagioArcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella IstropolitanaB Minor310A111 BPM
Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro by Francesco Geminiani, Capella Istropolitana, Jaroslav KrcekConcerto grosso in C Minor, Op. 2, No. 1: II. AllegroFrancesco Geminiani, Capella Istropolitana, Jaroslav KrcekC Minor25A135 BPM
Concerto a cinque No. 12, Op. 7: III. Allegro by Tomaso Albinoni, Paul Dombrecht, Il FondamentoConcerto a cinque No. 12, Op. 7: III. AllegroTomaso Albinoni, Paul Dombrecht, Il FondamentoB Major41B80 BPM
Capriol Suite: 1. Basse-danse by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 1. Basse-dansePeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerD Minor27A133 BPM
ISRC
DEA550108172
Label
L-M Records/RCA Records

Section: 0.5621917247772217

End: 0.5676429271697998