George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown made "Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave" available on January 1, 2000. With Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 11 out of 32. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto Grosso in C Minor, Op. 6, No. 8, HWV 326: II. Grave by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Gerhart Hetzel, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | D♭ Minor | 1 | 12A | 76 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part I: Altri canti di Marte e di sua schiera | Claudio Monteverdi / Marino (t), Alfred Deller, Deller Consort | G Major | 3 | 9B | 132 BPM | ||
Förster: Horn Concerto in E-Flat Major: I. Con discrezione | Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 80 BPM | ||
Ottone, re di Germania, HWV 15: Overture: I. Maestoso | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | E♭ Major | 1 | 5B | 78 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 4. Largo | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 0 | 10A | 89 BPM | ||
Beethoven: 12 Contredanses, WoO 14: No. 12 in E-Flat Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 97 BPM | ||
Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | B Minor | 3 | 10A | 111 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM | ||
Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM |
Section: 0.5621917247772217
End: 0.5676429271697998