Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields made "Beethoven: 12 Contredanses, WoO 14: No. 12 in E-Flat Major" available on May 17, 2024. The duration of Beethoven: 12 Contredanses, WoO 14: No. 12 in E-Flat Major is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Beethoven: 12 Contredanses, WoO 14: No. 12 in E-Flat Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Academy in Concert. Albinoni: Adagio - Pachelbel: Canon - Bach: Air & Music By Beethoven, Handel, Mendelssohn, Mozart". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Beethoven: 12 Contredanses, WoO 14: No. 12 in E-Flat Major is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Beethoven: 12 Contredanses, WoO 14: No. 12 in E-Flat Major by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio: II. Andante cantabile | Anton Diabelli, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
Symphony in D Major, G. 490: III. Allegro | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | C Major | 1 | 8B | 134 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 2 No. 1, op. 2/1: III. Menuetto: Allegretto | Ludwig van Beethoven, Solomon | F Minor | 0 | 4A | 175 BPM | ||
Concerto For Cello No. 2 In D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Cameron Crozman, Nicolas Ellis, Les Violons du Roy | A Major | 1 | 11B | 97 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
String Quartet No. 2 in D Major, K. 155: I. Allegro | Eder Quartet | D Major | 1 | 10B | 128 BPM | ||
Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Jan Krtitel Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | F Major | 0 | 7B | 70 BPM | ||
Introduction, Theme and Variations in F Major, Op. 102: I. Introduction: Allegro | Johann Nepomuk Hummel, Diego Dini Ciacci, Orchestra Internazionale D'Italia | F Minor | 0 | 4A | 75 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Der Fischer und das Milchmädchen: XV. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM |
Section: 0.6864690780639648
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