Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana's 'Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio' came out on May 22, 1991. With Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 35 in Concerto Grossos Op. 6, Nos. 7-12 by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto Grosso In C Major, Op. 6, No. 10: III. Adagio by Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet I | Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger | A Minor | 1 | 8A | 159 BPM | ||
Musique de table, Part III: Concerto for 2 horns in E-Flat Major, TWV 54:Es1: III. Grave | Georg Philipp Telemann, Bedřich Tylšar, Zdeněk Tylšar, Capella Istropolitana, Richard Edlinger | C Minor | 1 | 5A | 98 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Oboe Concerto in B-Flat Major, Op. 9, No. 11: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 3 | 6B | 114 BPM | ||
Concerto in G Major for Oboe, Strings and Basso continuo: I. Allegro spiritoso | Giovanni Benedetto Platti, Frans Brüggen, L'arpa Festante | F♯ Major | 1 | 2B | 65 BPM | ||
Concerto for 2 Oboes in C Major, Op. 7, No. 2: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 102 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: III. Air a l'Italienne | Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger | A Minor | 1 | 8A | 100 BPM | ||
Concerto Grosso In C Major, Op. 6, No. 10: VI. Minuetto: Vivace | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | C Major | 2 | 8B | 91 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM |
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